Kick-Ass (Two-Disc Blu-ray/DVD Combo Pack + Digital Copy) (2010) - Watch Online

Review
The cinematic equivalent of a half case of Red Bull chased with donuts, Kick-Ass is a giddy, violent experience--and not your average superhero movie. Based on the comic book by Mark Millar and John Romita Jr., it offers a set of heroes who are decidedly without superpowers: Dave Lizewski (Aaron Johnson) decides he'll be just like a comic-book character, and puts on a ridiculous green suit to fight crime as the mysterious Kick-Ass. Luckily, somebody else had the same idea and comes along to rescue the incompetent crusader: Big Daddy (Nicolas Cage) and his daughter Hit Girl (Chloe Moretz), who also happen to be running around town wearing masks and vanquishing evil. And here we have the movie's masterstroke: Hit Girl, a pint-sized preteen who slaughters bad guys and swears like a sailor on leave (and was the focus of a measure of controversy when the movie was released). The main target of our heroes is a gangster (Mark Strong, Sherlock Holmes), whose neglected son (Christopher Mintz-Plasse, McLovin from Superbad) figures he might just pull on a costume himself and become… Red Mist! (One of the many funny things about Kick-Ass is that the superhero names are hopelessly lame.) Director Matthew Vaughn is operating at the same glib level as his Layer Cake, with cutesy song cues galore and a freewheeling appetite for cartoon violence. This means the movie's high wears off quickly, but it does get high--a crazy, hilarious (and by the way: decidedly R-rated) kick. All that, plus Nicolas Cage executes a deadly Adam West imitation when he pulls on his cape and cowl. That's entertainment.

Iron Man 2 (Blu-ray/DVD Combo + Digital Copy) (2010) - Watch Online

Review
After the high-flying adventures of the first Iron Man picture, the billionaire arms manufacturer and irrepressible bon vivant Tony Stark (Robert Downey Jr.) finds himself nursing a hangover. But not like any hangover he's had before: this one is toxic, a potentially deadly condition resulting from heavy metals (or something) bleeding out of the hardware he's installed in the middle of his chest. This is the problem Stark needs to solve in Iron Man 2, not to mention the threat from resentful Russian science whiz Ivan Vanko (Mickey Rourke), whose father helped create the Iron Man technology. There's an even bigger problem for the film: the need to set up a future Marvel Comics movie universe in which a variety of veteran characters will join forces, a requirement that slows down whatever through-line the movie can generate (although fanboys will have a good time digging the clues laid out here). Actually, the main plot is no great shakes: another Iron Man suit is deployed (Don Cheadle, replacing Terrence Howard from the first film, gets to climb inside), Stark continues to bicker with assistant Pepper Potts (Gwyneth Paltrow), and a weaselly business rival (Sam Rockwell) tries to out-do the Iron Man suit with an army of Vanko-designed drones. Mickey Rourke is a letdown, burdened by a wobbly Russian accent and looking skeptical about the genre foolishness around him, and Scarlett Johansson has to wait until the final couple of reels to unleash some butt-kickin' skills as the future Black Widow. That climax is sufficiently lively, and the initial half-hour, including Stark's smirky appearance before a Senate committee and a wacky showdown at the Monaco Grand Prix, provides a strong, swift opening. But the lull between these high points is crying for more action and more Downey improv

Avatar (Two-Disc Blu-ray/DVD Combo) [Blu-ray] - Watch Online

Review
After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create